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About WE WANT THEM INFECTED:
The book is a forensic analysis of the contrarians’ erroneous assumptions of safety and the damage done during a pandemic. Whilst spouting what should happen and what will happen, contrarians completely misinterpreted, downplayed, and distorted what was happening. They spouted frequent predictions of imminent herd immunity that never came. They forecasted underestimates of the mortality and from behind a desk suggested over intubation was an issue. These error-rich, self-promoting activists through their various platforms advocated that adults should be protected via an infect-the-children strategy. Unfortunately for both children and parents the hazards were real; they did get sick, they did spread the virus, and some are still paying the price. Howard kept the receipts. The distorted contrarians’ views of the situation are presented alongside the reality. The 27 reasons to not vaccinate children are scientifically dismantled. The consequences of this erroneous propagation on people compared to the contrarians is unjust.I thought the real pandemic error was getting the Mode of Transmission wrong. The evidence in this book is that the contrarians did as much damage with their erroneous assumptions of safety. Although they will never admit, apologise, nor remedy, one can only hope that registration authorities will consider action necessary.“This book is fundamentally about the obligations doctors [and nurses] have when communicating with the public [and colleagues] about a deadly virus.” I would also add and the obligations of these healthcare workers to correct erroneous statements.
Dr. Howard breaks down how certain medical community and public health professionals simply let the United States public down. Probably responsible for hundreds of thousands of Americans not making it through the pandemic.He tells the story, names the folks and brings the receipts with about 200 pages of footnotes.An amazing opportunity for readers to learn about vaccines and the price of disinformation.
WINNER OF THE 2021 Lena Shull Book Award from the NC Poetry Society!
Advance praise for VERNACULAR
From landscapes she knows intimately (the cornfields of Iowa, the mountains of Appalachia) and tasks that seem ordinary (tilling fields, baking bread, feeding chickens, casting for fish), Anne Maren-Hogan crafts breath-taking, luminous moments. Awe, grief, anger, tenderness—each adds to a sense of the sacred that Anne finds in quiet scenes, as when an anguished cow reacts to the dying of her calf, her deep cries “like the tolling of church bells,” or when the family gathers after a long day of chores, the setting sun “anointing the twelve of us with fire.”
—Catherine Reid, Falling into Place: An Intimate Geography of Home
Family, community, nature, and the land--these are the subjects of Anne Maren-Hogen’s Vernacular. As the title suggests, the language is informal, authentic, and so vivid that it seems less like you are reading about the subjects and more like you are experiencing them directly. The ordinary and the sublime exist side by side in these skillfully made poems, as when a routine walk to the mailbox includes a heroic effort to keep a newborn calf alive, or when the color of workaday, well-worn overalls are compared to “Cezanne’s sky.” This impressive book is both down-to-earth and highly accomplished.
—Eric Nelson, author of Some Wonder (2015) Terrestrials (2004), Eric teaches with UNCA Great Smokies Program.
In Vernacular, Anne Maren-Hogan takes us on a journey from generations of farmers into the rural mountains, and through the last days of life. These poems tackle the complexities of family, community, and aging with the poet’s eye for detail and her ear for language. “…I’m come to interrupt / silence, keep the dialogue going,” she writes. As the title suggests, the language is as plan-spoken, honest, and candid as the individuals revealed in these poems. “It is palpable, the strength here,” one poem declares. Indeed, the strength is palpable throughout this collection.
—Pat Riviere-Seel, author of When There Were Horses
ABOUT THE AUTHOR
ANNE MAREN-HOGAN writes and gardens in one of the oldest intentional communities in the country, dedicated to simplicity, sustainability, and consensus decision-making. Her childhood on an Iowa farm, which her family still farms, provides material for her poetry, as deep and rich as the black earth from which she comes.Anne began writing poetry after raising children and gives credit to her writing group for their edits and insight. Her first chapbook, The Farmer’s Wake, was published by Finishing Line Press. Her second chapbook, Laying the Past in the Light, published by Longleaf Press, looks at the mystery of death and resurgent power of landscape. Her manuscript, Vernacular, was chosen as the winner of the Lena M. Shull Poetry Book Contest by 2021North Carolina Poetry Society.
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