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About WE WANT THEM INFECTED:
The book is a forensic analysis of the contrarians’ erroneous assumptions of safety and the damage done during a pandemic. Whilst spouting what should happen and what will happen, contrarians completely misinterpreted, downplayed, and distorted what was happening. They spouted frequent predictions of imminent herd immunity that never came. They forecasted underestimates of the mortality and from behind a desk suggested over intubation was an issue. These error-rich, self-promoting activists through their various platforms advocated that adults should be protected via an infect-the-children strategy. Unfortunately for both children and parents the hazards were real; they did get sick, they did spread the virus, and some are still paying the price. Howard kept the receipts. The distorted contrarians’ views of the situation are presented alongside the reality. The 27 reasons to not vaccinate children are scientifically dismantled. The consequences of this erroneous propagation on people compared to the contrarians is unjust.I thought the real pandemic error was getting the Mode of Transmission wrong. The evidence in this book is that the contrarians did as much damage with their erroneous assumptions of safety. Although they will never admit, apologise, nor remedy, one can only hope that registration authorities will consider action necessary.“This book is fundamentally about the obligations doctors [and nurses] have when communicating with the public [and colleagues] about a deadly virus.” I would also add and the obligations of these healthcare workers to correct erroneous statements.
https://apple.news/ArgWmL3Z3SpqvhAjqLxRppg
Dr. Howard breaks down how certain medical community and public health professionals simply let the United States public down. Probably responsible for hundreds of thousands of Americans not making it through the pandemic.He tells the story, names the folks and brings the receipts with about 200 pages of footnotes.An amazing opportunity for readers to learn about vaccines and the price of disinformation.
https://www.psychologytoday.com/us/blog/side-effects/202305/we-want-them-infected-a-review-of-the-push-for-herd-immunity
Praise for YELLOW LEAVES:
“In her poem Bequest, Alana Dagenhart poses a seemingly simple question: [W]hat do I do/ to leave good marks/on the world? As I finished reading the final page of Yellow Leaves, I felt I was holding in my hands the answer. This first collection could easily be a handbook for teaching us how—with mind, heart, and eyes fully open—to navigate loss’s inevitable landscapes and how—with courage, dignity, and grace—to move forward. Beneath the surface of Dagenhart’s stunning diction and syntax lies a depth of emotion capable of both breaking and mending the reader’s heart. What a good, good mark she has left on the world.”
Cathy Smith Bowers, author of The Abiding Image and North Carolina Poet Laureate, 2010-2012.
“In Yellow Leaves Alana Dagenhart allows memory to unseal the poet’s vision reminding us that to give form to memory one must also forget. In the broadest of straightforward, clear but not domesticated, and passionate language, these poetic narratives evoke shared common possibilities for plain spoke sincerity, unburdened by irony.
This collection boldly invites an existential kind of mystery and intimacy where answers plead to become more and more of the questions that plumb across the natural world, history, myth, identity, and geography of kin, hearth, heart, and child. Each poem deserves multiple readings if only for the sheer force of imagination or promising aftershocks of delicacy and utterance.
Yellow Leaves is ceremonial and incantational transcending a mere act of remembrance. These poets summon engagement without becoming the commemorative ground where poems often die.”
Jaki Shelton Green, North Carolina Poet Laureate Alana Dagenhart's debut collection is heartwarming, brilliant, and challenging.
About the Author
Alana Dagenhart is a poet, artist, and teacher who is trying to be a better global citizen. She likes to think about the intersection between science, art, and poetry and has been reading lately about time, light, cartography, and mythology. She is studying Latin American poetics. In her free time, she enjoys snow sports, backyard fires, and designing things. She lives in North Carolina with her husband José Rogelio Calvo in a little house with crooked doors and their dog Ela, and cats Paco & Luna. This is her first poetry collection.
From the book
A METAPHOR (OR MORE) FOR YOU
euphoria at the end of the novel, escape
of a dollar matinee, jouissance
of poetry, the melancholy
of leaving, the smell of earth, sun
after three days’ rain, the peace of clean, funk
groove, the enormity of space between wake & sleep
the color of the spectrum, indigo, the smell of a good tobacco
Degas’ ballerinas, a bass riff, the third bottle of beer, heat
in August, or fresh jalapeños, neon, nectarines
the truth of birth, three a.m. with no stars, the softness
of falling snow, the view from the blue ridge where Earth curves
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