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The book is a forensic analysis of the contrarians’ erroneous assumptions of safety and the damage done during a pandemic. Whilst spouting what should happen and what will happen, contrarians completely misinterpreted, downplayed, and distorted what was happening. They spouted frequent predictions of imminent herd immunity that never came. They forecasted underestimates of the mortality and from behind a desk suggested over intubation was an issue. These error-rich, self-promoting activists through their various platforms advocated that adults should be protected via an infect-the-children strategy. Unfortunately for both children and parents the hazards were real; they did get sick, they did spread the virus, and some are still paying the price. Howard kept the receipts. The distorted contrarians’ views of the situation are presented alongside the reality. The 27 reasons to not vaccinate children are scientifically dismantled. The consequences of this erroneous propagation on people compared to the contrarians is unjust.I thought the real pandemic error was getting the Mode of Transmission wrong. The evidence in this book is that the contrarians did as much damage with their erroneous assumptions of safety. Although they will never admit, apologise, nor remedy, one can only hope that registration authorities will consider action necessary.“This book is fundamentally about the obligations doctors [and nurses] have when communicating with the public [and colleagues] about a deadly virus.” I would also add and the obligations of these healthcare workers to correct erroneous statements.
Dr. Howard breaks down how certain medical community and public health professionals simply let the United States public down. Probably responsible for hundreds of thousands of Americans not making it through the pandemic.He tells the story, names the folks and brings the receipts with about 200 pages of footnotes.An amazing opportunity for readers to learn about vaccines and the price of disinformation.
Musicians are among our most important folks. They multiply our happiness and divide our sorrows. They can, with their God-given talent, express what others cannot. The Union Grove Old Time Fiddlers Convention produced and nurtured many of the very finest musicians to have ever performed. For over 55 years (1924-1979) Union Grove held the unique distinction of being the oldest and largest fiddlers' convention in the nation. It was a claim that has never been challenged. The Convention story is a fascinating one, worthy of serious attention from folklorists and musical scholars.
Ken Jurney has uncovered the unvarnished truth of its history. Union Grove's contribution to Southern musical culture can never be overestimated. It was a living, breathing, musical heritage. It was musical magic at its most magnificent.
—Pat J. Ahrens, author, free-lance writer, and 1996 recipient of the South Carolina Folk Heritage Music Advocacy Award. Columbia, SC
The Union Grove Fiddlers Convention and its people and their music, and by the grace of our Almighty God, contributed immensely to the musician I am today.
I was born in 1946 and have vivid memories about the Union Grove Fiddlers Convention from the early 1950s until present day. It is my humble opinion Ken's documentation of events, people, and places is spot on.
—Claybourn B. Lunsford, President of The North Carolina Thumb & Finger Style Guitar Players
You can look at the history of almost every genre of American music and find influences from old time, bluegrass, and country music. And the history of those three genres will lead you back to the Union Grove Old Time Fiddler's Convention. Each spring, the Fiddler's Convention put the little community of Union Grove and Iredell County, North Carolina on the national map. Ken Jurney's book tells the story of the country's most revered, and at times infamous, event of its kind - - its humble beginnings, its characters, its growing pains in becoming the "World Championship," and how it ultimately became the victim of its own success. Ken captures why the music we listen to today would be much different without the influences of Union Grove.
—Steve Hill Curator of Statesville Historical Collection Statesville,NC
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