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About WE WANT THEM INFECTED:
The book is a forensic analysis of the contrarians’ erroneous assumptions of safety and the damage done during a pandemic. Whilst spouting what should happen and what will happen, contrarians completely misinterpreted, downplayed, and distorted what was happening. They spouted frequent predictions of imminent herd immunity that never came. They forecasted underestimates of the mortality and from behind a desk suggested over intubation was an issue. These error-rich, self-promoting activists through their various platforms advocated that adults should be protected via an infect-the-children strategy. Unfortunately for both children and parents the hazards were real; they did get sick, they did spread the virus, and some are still paying the price. Howard kept the receipts. The distorted contrarians’ views of the situation are presented alongside the reality. The 27 reasons to not vaccinate children are scientifically dismantled. The consequences of this erroneous propagation on people compared to the contrarians is unjust.I thought the real pandemic error was getting the Mode of Transmission wrong. The evidence in this book is that the contrarians did as much damage with their erroneous assumptions of safety. Although they will never admit, apologise, nor remedy, one can only hope that registration authorities will consider action necessary.“This book is fundamentally about the obligations doctors [and nurses] have when communicating with the public [and colleagues] about a deadly virus.” I would also add and the obligations of these healthcare workers to correct erroneous statements.
https://apple.news/ArgWmL3Z3SpqvhAjqLxRppg
Dr. Howard breaks down how certain medical community and public health professionals simply let the United States public down. Probably responsible for hundreds of thousands of Americans not making it through the pandemic.He tells the story, names the folks and brings the receipts with about 200 pages of footnotes.An amazing opportunity for readers to learn about vaccines and the price of disinformation.
https://www.psychologytoday.com/us/blog/side-effects/202305/we-want-them-infected-a-review-of-the-push-for-herd-immunity
Advance praise for Portable Light...
“Be both ordinary & mystic,” Mike James advises in a poem from his marvelous new collection, Portable Light. Throughout the book, James takes his own advice to heart. His poems coax ordinary objects and actions to reveal their inmost secrets and ours. From the earliest poems collected here to the latest, James writes with the seeming effortlessness that is the sure mark of a master.
—Howie Good, author of Famous Long Ago
Mike James proves himself to be a master of the telling detail, the unexpected phrase that lends a pithy insight or two. His sense of rhythm never falters through these fine selections from a career filled with shifts and twists.
—Raymond Luczak, author of once upon a twin: poems
“If I look in the mirror, a few words are written all over my face./Some days it’s too much to read them,” Mike James says in “You Caught Me Love Dancing,” just one of many haunting, deceptively small poems in this collection, which is filled with gorgeous words and big ideas. Riffing on James’ recurrent theme of wings as getaway, grace, and salvation, these poems border on noir, and inch toward flight.
—Alexis Rhone Fancher, author of EROTIC and poetry editor of Cultural Daily
Reading a Mike James poem is like walking into someone else’s dream. One has to look for a path through. Once found (and one will find it because James leaves just enough bread crumbs to guide us without telling us how to walk), the landscape reveals itself to be both foreign and familiar. Foreign because his deft navigation in and out of surrealism can leave one shaking and disoriented, yet thrilled at the surprises that emerge from one line to the next. Familiar in that way that all great poetry is familiar: it speaks to the true heart of the human experience. These poems, collected, range from traditional free-verse to prose poems to experimental ghazals. Each poem, regardless of form, is an exploration of Robert Bly’s idea of “leaping poetry.” James’ exploration and re-telling of myth and fable takes us from the narrative we know to completely unexpected places. His cadence, rhythm, and musicality reverberates from each line without blatant pyrotechnics. Instead, James prefers the slow burn that starts with a smoldering whiff of burning leaves that, as the reader spends more and more time inhabiting this sparse yet precise lexicon, builds into a mighty blaze of perfect lines.
—Shawn Pavey, author of Survival Tips for the Pending Apocalypse
About the Author
Mike James makes his home outside Nashville, Tennessee. His poetry is widely published. He has read and performed his work at universities and performance venues throughout the country. His many poetry collections include: Leftover Distances (Luchador), Jumping Drawbridges in Technicolor (Blue Horse), Crows in the Jukebox (Bottom Dog), and Peddler’s Blues (Main Street Rag.) He has served as an associate editor for Kentucky Review and Unbroken.
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