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About WE WANT THEM INFECTED:
The book is a forensic analysis of the contrarians’ erroneous assumptions of safety and the damage done during a pandemic. Whilst spouting what should happen and what will happen, contrarians completely misinterpreted, downplayed, and distorted what was happening. They spouted frequent predictions of imminent herd immunity that never came. They forecasted underestimates of the mortality and from behind a desk suggested over intubation was an issue. These error-rich, self-promoting activists through their various platforms advocated that adults should be protected via an infect-the-children strategy. Unfortunately for both children and parents the hazards were real; they did get sick, they did spread the virus, and some are still paying the price. Howard kept the receipts. The distorted contrarians’ views of the situation are presented alongside the reality. The 27 reasons to not vaccinate children are scientifically dismantled. The consequences of this erroneous propagation on people compared to the contrarians is unjust.I thought the real pandemic error was getting the Mode of Transmission wrong. The evidence in this book is that the contrarians did as much damage with their erroneous assumptions of safety. Although they will never admit, apologise, nor remedy, one can only hope that registration authorities will consider action necessary.“This book is fundamentally about the obligations doctors [and nurses] have when communicating with the public [and colleagues] about a deadly virus.” I would also add and the obligations of these healthcare workers to correct erroneous statements.
Dr. Howard breaks down how certain medical community and public health professionals simply let the United States public down. Probably responsible for hundreds of thousands of Americans not making it through the pandemic.He tells the story, names the folks and brings the receipts with about 200 pages of footnotes.An amazing opportunity for readers to learn about vaccines and the price of disinformation.
Advance Praise: As for Life
“To every prospective reader of As for Life, I would say, ‘Brace yourself. Do not avert your gaze. Here you will experience a revelation that will increase your understanding.’ Marilyn McVicker does not countenance equivocation in herself or others. This may be the most forthcoming volume of poetry I have ever read. Be prepared.”
—Fred Chappell, N.C. Poet Laureate, 1997-2002
“Even in illness, there is Life and love, Marilyn McVicker proclaims in As for Life, her memoir of poems introducing us to her Life with primary immune deficiency. McVicker opens us to the rage and grief, joy and beauty of a life confined to a remote mountain cove in Western North Carolina. I am strengthened, humbled, and inspired by her elegant and honest poems—a resilient life celebrated in poetry.” —Jennie Boyd Bull, Learning to Weave: A Woman-Loving Life, volunteer with My Neighbors, eldercare network.
“Marilyn McVicker takes us on a journey of the isolation experienced due to chronic illness. The use of poetic storytelling is relatable and brings the reader to experience how, after a full day of pushing one’s self through the necessary tasks, and when evening comes, the body relaxes, and all the pain comes at the time when rest is expected…The author takes the reader on a journey of chronic illness and how it defines the challenges of the simplest tasks that are often never considered as we move through the normal activities of each day. Poetically orchestrated, the complications of wanting to be normal and the body saying otherwise strands through each poem….” –Patricia Mayorga, Judge, North Carolina Poetry Society’s 2020 Lena Shull Book Award, Editor-in-Chief, Poets’ Espresso Review.
“The varied cadences and stunning word choices in As for Life lead the reader to understand the myriad daily tasks and fluctuating emotions that come with a rare, chronic illness. McVicker asks us to, ‘Consider this body. So much for so long. Not enough, for too long./ So much pain and loss. Joys and hopes filled and dashed./Life and death, handled simultaneously.’ Living a life of isolation, she gazes out her many windows to find comfort and hope in nature and thinks of ‘the small joys’ that sustain her.”—Kathy Weisfeld, Chair, Carolina Mountains Literary Festival, Poet
“As for Life is a catharsis of raw emotion, a reflection of one person’s life and loss while enduring chronic illness. Very enlightening! A must-read for health care professionals and medical/nursing students interested in the provision of patient-centered care.” —Laura H. Young, MSN, DNP, AGNP-C Compassionate Care of WNC, Palliative Care
“Reading Marilyn McVicker’s poetry has touched me in many ways. She teaches us how to live Life as authentic, fully-alive, compassionate human beings. As a musician and poet, her book As for Life is a composition of her chronic illness written in four movements in which she writes the score of her pain and her love of Life. Her poems may seem harsh in their honesty, but they are not without mercy; rather, they’re shared experiences and insights that not only help us to be better friends, family, and physicians to those with chronic illness but may save us when we are someday faced with our agonies...I am humbled by the lessons I found in Marilyn’s poetry.”—Jade Pierce, B.S., M.Ac.Licensed acupuncturist and practitioner of Traditional Asian Medicine
About the Author
Marilyn McVicker had her first poem published in 1980. Her poetry has been most recently published in Kakalak, Kaleidoscope, The Healing Muse, Earth’s Daughters, Front Porch Review, Red Clay Review, Speckled Trout Review, Wordgathering, Breath & Shadow, and Red Headed Stepchild. Her non-fiction book, Sauna Detoxification Therapy, was published by McFarland & Co. in 1997, and her poetry chapbook, Some Shimmer of You, by Finishing Line Press, in 2014. In 2020, she received an Honorable Mention for her full-length poetry manuscript, As for Life, through North Carolina Poetry Society’s Lena M. Shull Book Contest. She has read her poetry at numerous festivals, bookstores, colleges, libraries, and other venues. Marilyn’s fascination with words and self-expression stems from her previous career as a solo flutist and music educator. She retired to a remote cove in the rural mountains of western North Carolina in 1997.
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